Great scenes

  • Movies about odd couple cops trying to solve a crime and bonding in the process are a dime a dozen. For that dime, you could even specify that eleven of them need to try and be funny and you’d get your wish. Ask for actual humor and you might need to fork out a bit

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  • Disambiguation: Not the Clint Eastwood starrer from the eighties. I’m talking about the Dennis Quaid version where he plays a high school teacher who becomes a major league pitcher. The Rookie stars Dennis Quaid as Jim Morris, a high school chemistry teacher cum baseball coach who suddenly finds out that he can pitch faster than

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  • Much of the reason why we love good masala movies is their ability to surprise and delight us while still telling the same old story over and over again. In this respect, the last big fight sequence in Dhool ranks among the most delightful. It is not surprising for the hero to bash up a

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  • I haven’t even heard of this movie before, and probably would never have heard of it had it not been showing on HBO. Clearly, the channel holds a dim view of the viewership on a Saturday afternoon. I am not sure what the plot is, an frankly, I don’t much care. It involves some hidden

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  • Most people would agree that Bharathiraja was one of Tamil cinema’s foremost directors in the late seventies and eighties, along with K. Balachander and Mani Rathnam. But where KB and Mani brought an urban sensibility and sophistication to Tamil cinema, Bharathiraja reinvented the village on celluloid. He epitomized earthiness. The acting in many of his

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  • Martin Scorsese’s The Departed begins with the following line uttered by Jack Nicholson: I do not want to be a product of my environment. I want my environment to be a product of me. To me, more than the plot itself (which is quite interesting), Dor is about two women on opposite sides of that

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  • Freeze Frame #114: Iqbal

    This story of a deaf-mute who became an international cricketer was one of the most heartwarming movies of 2005. It did not resort to much gimmickry (except maybe the chakravyuh thing which didn’t work so well for me) and placed its faith in the inherent appeal of the story it told. Add to it a

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  • If you view Sarkar as a remake of The Godfather, chances are you won’t like it. If you view it as a tribute, and not necessarily compare it with the original, you will find much to admire. In general, remakes seem to work better if you can put thoughts of the original out of your

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  • Namaste London tells the story of a UK-based family of Indian origin. I use the word “origin” loosely here. You see, the parents are from India, but their daughter was born after they emigrated and considers herself British. To complicate matters, she falls in love with a Brit. In order to prevent matters from going

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  • Freeze Frame #110: Jab We Met

    One of the little pleasures of Jab We Met is its amazing array of supporting characters. Many of them have no more than a few minutes of screen time, but they manage to leave their mark. No one illustrates this better than the desk clerk at Hotel Decent in Ratlaam, where the couple decide to

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