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For most of its running time, Silver Linings Playbook fills the screen with people who don’t get along. So much time, in fact, that when we see them enjoy themselves, it feels like a small miracle. Then again, the story is crowded with people who are dysfunctional in some form or shape. Pat Solitano Sr
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There is an exchange in Zero Dark Thirty between the CIA Director and an agent named Maya, the protagonist of this film. She mentions that she got recruited to the CIA right out of high school and he asks her what she’s done so far. It turns out that pretty much the only thing she
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I watched the film on a plane ride back from the US, and had to spend a considerable amount of time trying not to shake too much with laughter and wake up the passenger sitting next to me. Most of all, I was amazed by Marilyn Monroe’s sheer presence. Watch this scene — it takes a
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The last time Neeraj Pandey made a movie was nearly 5 years ago. It was a taut, two-character drama called A Wednesday and gave its stars — Naseeruddin Shah and Anupam Kher — such good material to work with that their sheer joy at playing these characters shone through. The film was not without its flaws,
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Warning: Beware of… nah, nothing here is a spoiler, given what the trailers give away. But who knows what someone might take umbrage at, so beware, anyway. Okay, so what exactly is all the hoopla about? Or is it just me who is unable to see the offensive material packed into a story about an Al
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When someone asks me what genre Terry Pratchett’s Discworld novels fall under, my usual response is ‘comic fantasy’. But the truth is, I don’t read Pratchett for the laughs anymore, although I will readily vouch for the quality of his humor. No, these days I read his novels for their humanism. This might explain why
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This is not going to be about how good an album Kadal is, or how Rahman’s doing a great job of importing blues and gospel to our shores. This album may not rank among his absolute best, but it is certainly very good. More importantly in the context of his recent collaborations with Mani Ratnam, melodious —
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At this point, I suppose, I should define “we”. I refer to peole like me, born in Madras in the nineteen-seventies and ripening into cinematic awareness in the decade that followed, in Mani Ratnam’s decade. We are possibly the most qualified to write about Mani Ratnam. We might also be the least qualified. — Conversations
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How the fuheck does The Merchant of Venice get labeled a comedy? Sure, it gets a bit farcical at times, and mercy (apparently) triumphs over revenge in the end and what not, but seriously? Didn’t Shylock deserve the right to kick Antonio’s butt seven ways to Tuesday? The key moment, for me, is his wonderful
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What is this fascination for intelligence officers in mainstream Indian cinema these days? There was Agent Vinod, a secret agent who seemed to get caught so often and in so many countries that he clearly ought to have picked a different line of business. And Ek Tha Tiger, whose ridiculousness was redeemed by the fact that the
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