• Let me talk about this ad that’s been popping up every so often while I’m on YouTube, or the Sun Nxt app. Now, I like chocolate as much as the next person, okay? Hershey’s Kisses, too. But a few things bother me about this ad. First, why is this food item feeling so happy about

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  • Sphere of Influence

    I was witness to one of the stranger variants of Tu jaanta nahin main kaun hoon recently. I was traveling in an auto from Nandidurga Road to my place. My auto driver was a rather portly, elderly gentleman, the kind who could moonlight as Santa Claus in the mall if business was tough. The traffic

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  • On the choices made in telling stories about characters with baggage, in Vada Chennai and Chekka Chivantha Vaanam

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  • Caution: Spoilers ahead. Read this only if you’ve watched the film. Gully Boy is a rousing tale, but it’s easy to look at the broad outlines of the plot and dismiss it as Dharavi’s 8 Mile or some such thing. That would be doing the film a huge disservice. A genre exercise must not automatically

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  • Manmarziyan

    Taapsee Pannu occupies the center of Manmarziyan like this was the role she was born to play. And why wouldn’t she? The role’s a peach, and Pannu mines a vein of ferocity that makes her character in Baby and Naam Shabana look mild in comparison. It has been argued that the level of agency she

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  • Thoughts on Seethakathi, a weird, lovely film with fractal patterns

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  • Petta functions wonderfully as a supercut of Rajni’s filmography, set to old தமிழ் film music. The Mullum Malarum references abound, obviously – with a name like Kaali, that’s almost a given. One of them comes right at the end and is an absolute beauty. But there are so many others that much of the pleasure

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  • Wisecracking

    Meanwhile, elsewhere in the Middle East… Wise Man 2: You had one job. One. Job. Wise Man 3: Sorry Wise Man 2: How difficult could it have been? I remember specifically asking you to get fleece pyjamas. I distinctly remember the feeling of my lips moving when I said that to you. Fleece pyjamas. How

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  • One of the now-inevitable sideshows that accompany most big releases is the group of people objecting to something in the film and taking their grievance to court. Sometimes it’s religion (Kevin Smith’s irreverent religious comedy Dogma comes to mind), sometimes it’s the depiction of real life personalities (too many to count), sometimes it’s the misrepresentation of government

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  • 96

    Please, please go watch this film before reading my blog post. What an amazing, amazing film this is! I didn’t get to see it during its theatrical release, and I had the dubious fortune of being laid up with an infection on Deepavali evening, so it was just me and the TV at home. (Not

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